Album Info
| 1. Euá Mamnjô Euá | Year of Recording: 1997 | |||
| 2. É Codó É Codó É Codó | Record Label: Smithsonian Folkways Recordings | |||
| 3. É de Mariolê, É de Mariolá | Producers: Mickey Hart, Alan Jabbour | |||
| 4. Eu Vere Garapé Vodum | Edited by: Mickey Hart with Morton Marks and Fredric Lieberman | |||
| 5. Ô Mina Terê Terê | Booklet Text: Morton Marks | |||
| 6. Ai Inhanhan | Engineers: Michael Donaldson, Tom Flye, Paul Stubblebine | |||
| 7. A Doçu Séménome | Production Management: Howard Cohen | |||
| 8. Marajó Já Teve Fama | Library of Congress Research: Kenneth Bilby, Max Derrickson | |||
| 9. Esse Catú Catú | Package Design: Barbara Longo | |||
| 10. Chamada Do Aricury | Translated by: Cambridge Translation Resources | |||
| 11. Pancarus | Series Ethnomusicology Consultant: Fredric Lieberman, Ph.D. | |||
| 12. Mandar Mi Chamá | ||||
| 13. Ingate Do Vapô Ia | ||||
| 14. Tamanquêro Eu Quero Um Pa | ||||
| 15. Adeus, Adeus Amô | ||||
| 16. O Meu Loro Não Fala | ||||
| 17. É Boi | ||||
| 18. Chôa No Mará, Chôa | ||||
| 19. Qua Qua Qua | ||||
| 20. Samba | ||||
| 21. Marinhêro | ||||
| 22. Oh Lua Nova, Oh Lua Cheia | ||||
| 23. Manué Eu Só Vim Fazê Teu Gôsto | ||||
Description
This Endangered Music Project release is a collection of 1938-vintage field recordings culled from the library of the Discoteca Pública Municipal (Municipal Public Recordings Collection) in São Paulo, Brazil. The Discoteca dispatched a team to six states in northern and northeastern Brazil to document regional folklore, ritual music, and dance. The music they collected, much of which accompanied ritual, social, and dramatic dance, is primarily vocal, featuring various types of Brazilian percussion and strings. Tracks include liner notes written by ethnomusicologist Morton Marks. The Discoteca Collection: Missao de Pedquisas Folcloricas was issued in 1997 as part of the Endangered Music Project, a series curated by Grateful Dead drummer Mickey Hart featuring material from the Library of Congress’ American Folklife Center.
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